You know what cult movie/childhood favorite really holds up? 1984’s The Last Starfighter, one of the first and last time people thought, “Whoa, those images come from a COMPUTER? Fucking amazing!”
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The late cult filmmaker Albert Pyun spent his fascinating life and career making projects like the 1989 post-apocalyptic Jean-Claude Van Damme vehicle Cyborg, which was built from the scraps of an abandoned Spider-Man adaptation and Masters of the Universe sequel that’s all sorts of interesting if not exactly “good.”
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Despite a famously troubled production, Stuart Gordon’s goofy 1990 science-fiction sports comedy-drama Robot Jox gives us the robot-on-robot fighting action we angrily demand and deserve.
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Ava DuVernay’s flop 2018 adaptation of A Wrinkle in Time is trippy, corny and moving and wildly entertaining if you’re in the right frame of mind (i.e stoned)
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You know what movie is surprisingly weird, funny, dark and good? Freaking Ernest Saves Christmas.
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One of you kind souls paid me to experience Rattle and Hum, U2’s unintentionally hilarious, oft-mocked exercise in delirious self-parody.
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Freakazoid continues to be silly.
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George Axelrod’s 1966 satire Lord Love a Duck is one of the weirdest movies ever released by an American studio as well as a goddamn mess.
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My patron-funded exploration of the films of Stuart Gordon hits its first loser in 1987’s Dolls, which created the template for Full Moon Features’ many doll-based horror films.
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Kirk Cameron wants everyone to know that, actually, crass materialism is the WHOLE POINT of Christmas. Fuck that guy. Fuck him with a ten foot candy cane.
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