Revisiting a short-lived Tales from the Crypt spin-off that was just like its inspiration, only more science-fiction-oriented and also god-awful. Also, hosted by a badly computer animated sex robot for some reason.
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Tales from the Crypt’s cynical portrayal of desperate, weak men who will do anything to overcome their personal and sexual inadequacies looks particular incisive and prescient these days.
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One of you kind souls paid me to be deeply underwhelmed by Harold Ramis’ deeply underwhelming 1986 island comedy Club Paradise, which wastes an amazing cast (SCTV +Peter O’Toole+Jimmy Cliff+Robin Williams) on a confused and muddled script.
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There have been some hiccups but 2020: The Year YOU Control Nathan Rabin is still happening and will still be AWESOME!
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One of you kind weirdoes is paying me to see all of David Bowie’s movies, including the dreary, botched 1999 crime thriller B.U.S.T.E.D, AKA Everybody Loves Sunshine, which paired the Thin White Duke with Goldie and underwhelming writer-director-star Andrew Goth.
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Our spooktacular romp through the history of Tales From the Crypt returns after a long absence, just in time for Shoctober with a darkly funny exploration of the existential angst of very different conjoined twins.
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Sometimes the mere possibility that things can change for the better is enough.
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The world can be an ugly, brutal place, so here are some vintage pictures of Grover with a kitten to help you get through the day.
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Our deep dive into the filmography of Rudy Ray Moore concludes with a loving appreciation of a wild and wacky supernatural Rudy Ray Moore vehicle—from hell!
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Donald Trump’s reality is like OUR reality, with the notable exception that it’s completely fake and exists solely to serve him.
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