Batman Beyond explores its lighter side in two wonderfully goofy episodes that find Terry squaring off against a super-villain gossip columnist voiced by Michael McKean and must juggle crime-fighting with looking after an EggBaby.
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My reader-funded exploration of the complete filmography of Virginia Madsen continues with her utterly delightful lead performance in the charming 1984 romantic comedy Electric Dreams.
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Our patron-funded exploration of the films of Rebecca Gayheart continues with the 2002 movie world satire Pipe Dream, which has charm and an appealing lead performance from Hal Hartley favorite Martin Donovan but cannot overcome a toxic premise.
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My reader-funded exploration of the films of David Bowie continues with a fond look at his shockingly committed guest turn on Spongebob’s Altantis Squarepantis.
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My reader-funded exploration of the films of Virginia Madsen begins on a low note with the dire 1983 The Graduate knock-off Class, which subjects the future Oscar-nominee to all manner of humiliations.
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One of you generous weirdoes paid me to experience the fascinating, pitch-black 1970 character study The Traveling Executioner, with a never-better Stacy Keach in the title role.
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A kind soul paid me to experience the glorious madness of the 1973 head film The Final Programme.
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My patron-funded exploration of the films of Blue Oyster Cult ends on a high note (in more ways than one) with a fond look back at the cult classic 1981 Canadian animated stoner film Heavy Metal, from Ivan Reitman and the screenwriters of Meatballs and Stripes.
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One of you kind souls paid me to see the 1994 retro stoner comedy The Stoned Age. Is it better than Dazed & Confused, as its poster claims? Read my article and find out. Also, of course it isn’t. It’s not even good, let alone better than the best teen comedy of all time.
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One of you kind souls paid me to experience a retro Full Moon cheese fest about rock and roll, alien invasions, video vixens, disc jockeys and some seriously shitty monsters.
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