Vincent Minnelli and Kirk Douglas’ 1962 follow-up to The Bad and the Beautiful isn’t as good as its predecessor but what is?
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Movies don’t get more glamorous than 1952’s The Bad and the Beautiful, Vincent Minnelli’s dark, darkly funny masterpiece about a charismatic monster of a producer and the show business folks caught in his web.
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Jimmy Cagney snagged an Oscar nomination playing a stormy mobster who romances a beautiful young singer actress in the riveting 1955 melodrama Love Me or Leave Me.
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Before she was America’s sweetheart Doris Day was an ambitious show-business striver on the rise in the delightful 1949 movie world musical comedy It’s a Great Feeling!
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Nicholas Ray turned his withering gaze on Hollywood for his 1950 Film Noir masterpiece In a Lonely Place.
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Silent comedy icon triumphed in the world of early talkies with his 1932 masterpiece Movie Crazy.
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A Star is Born is a quintessential tale of show business triumph and tragedy. Except for the 1976 remake. That kind of sucked.
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Billy Wilder’s 1978 Flop Fedora is less a worthy follow up to Sunset Boulevard than a sorry footnote.
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Dean Martin and Jerry Lewis’ legendary partnership ended on a high note with the 1956 Frank Tashlin masterpiece Hollywood or Bust.
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Movies don’t get much better than Modern Romance.
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