One of you generous weirdoes paid me to revisit Julien Temple’s fascinatingly muddled 1986 musical flop Absolute Beginners, an exceedingly white, straight look at racial tensions and the exhilarating freedoms of life in late 1950s London.
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One of you kind-hearted sadists gave me one hundred dollars to watch and write about an ABBA jukebox musical sequel that’s utterly ridiculous and all kinds of fun.
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One of you kind sadists slipped me one hundred dollars to watch The Greatest Showman, an old-fashioned musical secret smash that is corny as hell in a very fun way.
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