With the possible exception of Breakfast at Tiffany’s, no film has aged worse than 1994’s ragingly transphobic Ace Ventura: Transphobe
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Michel Gondry apparently asked Jim Carrey to stay depressed for a year and a half for the sake of Eternal Sunshine of the Spotless Mind. Was it worth it?
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I remembered the notorious Jim Carrey vehicle The Number 23 being staggeringly, mind-bogglingly awful but it’s somehow WAY Worse.
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Our deep dive into the complete filmographies of John Travolta and Nicolas Cage continues with the sentimental time-travel comedy-drama that first made moviegoers sit up and say, “What the hell is that Nicolas Cage weirdo doing and why isn’t anyone stopping him?”, 1986’s Peggy Sue Got Married.
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I finally get around to watching and writing about Chris Smith’s queasily voyeuristic exploration of the quiet heroism of everyone forced to interact with Jim Carrey and Bob Zmuda during the making of Man on the Moon.
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Sometimes a single repulsive story about power and celebrity abused stands in for a whole bunch of similarly sad, sordid and unforgivable tales. Such is the nature of Bob Zmuda's "Playboy Mansion story"
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In the latest entry in the column where readers like YOU pay me money to see a film of their choice I revisit a good movie for once, 2004’s Eternal Sunshine of the Spotless and talk Manic Pixie Dream Girls, Sad Boys and Nice Guys.
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Everyone knows a movie called Larry Gaye, Renegade Male Flight Attendant can't possibly be funny. This Control Nathan Rabin piece (the first of two this week) presupposes that maybe it can?
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Watch Dolly Parton, Randy Quaid, Tracy Morgan, Orson Bean, Andy Richter, Hanson and many more in the first, last and only vehicle for Dave Sheridan. Who? Exactly.
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