In 1992, Jaleel White and his alter-ego Steve Urkel most assuredly did do that, and by “that” I mean making an hour long special to celebrate White’s breakout popularity.
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One of you kind souls paid me to see Chuck Russell’s terrific 1988 remake of The Blob.
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As part of an ongoing series on children’s movies from the 1980s that are perversely dark, one of you kind souls paid me to write about the fascinatingly bleak 1985 Claymation movie The Adventures of Mark Twain, which is all about suicide, death, grief, mourning and, of course, the devil.
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It’s Scream, except with urban legends instead of movies. And also terrible.
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One of you kind souls paid me to write up George Romero’s intriguing feminist sort-of 1973 horror movie Season of the Witch.
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My patron-funded exploration of the films of Virginia Madsen continues with a fond look back at David Lynch’s 1984 adaptation of Dune, which I deemed a Fiasco when I covered it for My World of Flops but that I now adore.
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One of you kind souls paid me to re-experience the exquisite absurdity of Richard Rush’s gloriously kooky 1994 erotic thriller Color of Night.
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At the request of a very special patron, I take an affectionate look at the wonderfully preposterous Body Parts, a 1991 horror movie from the screenwriter of Near Dark and The Hitcher about a worst-case scenario when receiving a transplant: Murder Arm, a debilitating ailment that makes you want to murder everyone you meet.
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Brad Dourif month begins a day earlier with a fond look at his legendary performance as the Gemini Killer in William Peter Blatty’s wonderfully wacky 1990 cult classic The Exorcist III.
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