In 2016, we resisted. In 2024 we’re giving up and giving in. That’s not right.
Read MoreGrab your lucky crack pipe and relive the magic and the madness of Werner Herzog’s demented 2009 dark comedy Bad Lieutenant: Port of Call New Orleans,
Read MoreOne of you kind souls paid me to write up George Romero’s intriguing feminist sort-of 1973 horror movie Season of the Witch.
Read MoreOur deep dive into the complete discography of Nicolas Cage continues with a look back at the muddled 1993 inter-racial buddy comedy Amos & Andrew, a maddening heap of missed opportunities and muddled satire.
Read MoreJimmy Carter’s death reminded me of one of my all-time favorite Saturday Night Live sketches, a Walter Cronkite-hosted call in show where Carter helps solve a technical problem at the post office and talks a 17 year down from a heavy acid trip.
Read MoreMy patron-funded exploration of the films of Virginia Madsen continues with a fond look back at David Lynch’s 1984 adaptation of Dune, which I deemed a Fiasco when I covered it for My World of Flops but that I now adore.
Read MoreOne of you kind souls paid me to re-experience the exquisite absurdity of Richard Rush’s gloriously kooky 1994 erotic thriller Color of Night.
Read MoreBrad Dourif month continues with a look back at his scene-stealing turn in the grimy 1990 Stephen King adaptation Graveyard Shift.
Read MoreAt the request of a very special patron, I take an affectionate look at the wonderfully preposterous Body Parts, a 1991 horror movie from the screenwriter of Near Dark and The Hitcher about a worst-case scenario when receiving a transplant: Murder Arm, a debilitating ailment that makes you want to murder everyone you meet.
Read MoreBrad Dourif month begins a day earlier with a fond look at his legendary performance as the Gemini Killer in William Peter Blatty’s wonderfully wacky 1990 cult classic The Exorcist III.
Read More