One of you kind souls paid me to write up George Romero’s intriguing feminist sort-of 1973 horror movie Season of the Witch.
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My patron-funded exploration of the films of Virginia Madsen continues with a fond look back at David Lynch’s 1984 adaptation of Dune, which I deemed a Fiasco when I covered it for My World of Flops but that I now adore.
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One of you kind souls paid me to re-experience the exquisite absurdity of Richard Rush’s gloriously kooky 1994 erotic thriller Color of Night.
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At the request of a very special patron, I take an affectionate look at the wonderfully preposterous Body Parts, a 1991 horror movie from the screenwriter of Near Dark and The Hitcher about a worst-case scenario when receiving a transplant: Murder Arm, a debilitating ailment that makes you want to murder everyone you meet.
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Brad Dourif month begins a day earlier with a fond look at his legendary performance as the Gemini Killer in William Peter Blatty’s wonderfully wacky 1990 cult classic The Exorcist III.
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One of you kind weirdoes paid me to watch and write about the wonderfully terrible New Year’s Eve-themed rock and roll slasher cult classic New Year’s Eve, from the fine folks over at Cannon.
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This Christmas, enjoy the ho ho horror zombie musical comedy Yuletide treat Anna and the Apocalypse!
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It’s Christmas in January! 2010’s Hitlertastic The Nutcracker in 3-D has a reputation for being one of the worst and craziest movies ever made. That reputation is correct.
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One of you beautiful weirdoes paid me to write about the 2022 movie world goof Razzenest, which I dug!
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